Summary:
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'''''Die Weißen Blätter''''' was a German monthly magazine, which was one of the most important journals of literary [[expressionism]] during its publication period 1913 to 1920. The full title was ''Die Weißen Blätter. Eine Monatsschrift.''
== History ==
''Die Weißen Blätter'' were published from 1913 to 1915 by [[Erik Ernst-Schwabach]] in [[Leipzig]] in the ''Verlag der weißen Bücher''. In 1915 [[René Schickele]] took over. From 1916 to 1917 they were printed by the ''Verlag Rascher'' in [[Zurich]], in 1918 in the ''Verlag der Weißen Blätter'' in [[Bern]], from 1919 to 1920 [[Paul Cassirer]] published the magazine in [[Berlin]].
At the beginning of 1937, Schickele temporarily planned to revive the magazine.
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In retrospect, George Grosz 'were Die Weißen Blätter "an intellectual magazine with pacifist tendency that obscures against the war and for international understanding occurred. "Even during the First World War texts were published by foreigners from nations with which was in Germany during the war. An announcement of the magazine from 1913, described it: "As the older generation in the Neue Rundschau pronounce, so shall the White leaves the body of the younger generation to be [...]. Die Weißen Blätter. Liveliness and attention at all to what is peculiar to our time, make their readers but known only to the manufacturing and successful Die Weißen Blätter will pass any area of life today without comment. You want to be not only an artistic expression of the new generation, but also their moral and political. " According to a review of Hermann Hesse from 1915 published in the journal, the "freshest, most tempestuous literary youth", the "literary future of Germany ". -->
== Writers ==
Writers of ''Die Weißen Blätter'' have included [[Henri Barbusse]], [[Gottfried Benn]], [[Eduard Bernstein]], [[Franz Blei]], [[Max Brod]], [[Martin Buber]], [[Theodor Däubler]], [[Albert Ehrenstein]], [[Carl Einstein]], [[Friedrich Wilhelm Foerster]], [[Leonhard Frank]], [[George Grosz]], [[Wilhelm Hausenstein]], [[Hermann Hesse]], [[Kurt Hiller]], [[Annette Kolb]], [[Paul Kornfeld (playwright)|Paul Kornfeld]], [[Else Lasker-Schüler]], [[Rudolf Leonhard]], [[Mechtilde Lichnowsky]], [[Heinrich Mann]], [[Gustav Meyrink]], [[Robert Musil]], [[Max Scheler]], [[Ernst Stadler]], [[Carl Sternheim]], [[André Suarès]], [[Ferdinand Bruckner|Theodor Tagger]], [[Robert Walser (writer)|Robert Walser]], [[Ernst Weiß]], [[Felix Weltsch]], and [[Franz Werfel]].
The magazine published as first prints Meyrink's novel ''[[The Golem (novel)|Der Golem]]'' in 1913/14 and in October 1915 [[Franz Kafka|Kafka]]'s story "Die Verwandlung" ([[The Metamorphosis]]).
== Literature ==
* Sven Arnold: ''Das Spektrum des literarischen Expressionismus in den Zeitschriften „Der Sturm“ und „Die Weissen Blätter“''. Peter Lang, Frankfurt am Main 1998, ISBN 3-631-33549-0.
{{GFDL}}
'''''Die Weißen Blätter''''' was a German monthly magazine, which was one of the most important journals of literary [[expressionism]] during its publication period 1913 to 1920. The full title was ''Die Weißen Blätter. Eine Monatsschrift.''
== History ==
''Die Weißen Blätter'' were published from 1913 to 1915 by [[Erik Ernst-Schwabach]] in [[Leipzig]] in the ''Verlag der weißen Bücher''. In 1915 [[René Schickele]] took over. From 1916 to 1917 they were printed by the ''Verlag Rascher'' in [[Zurich]], in 1918 in the ''Verlag der Weißen Blätter'' in [[Bern]], from 1919 to 1920 [[Paul Cassirer]] published the magazine in [[Berlin]].
At the beginning of 1937, Schickele temporarily planned to revive the magazine.
<!-- ==Orientation==
In retrospect, George Grosz 'were Die Weißen Blätter "an intellectual magazine with pacifist tendency that obscures against the war and for international understanding occurred. "Even during the First World War texts were published by foreigners from nations with which was in Germany during the war. An announcement of the magazine from 1913, described it: "As the older generation in the Neue Rundschau pronounce, so shall the White leaves the body of the younger generation to be [...]. Die Weißen Blätter. Liveliness and attention at all to what is peculiar to our time, make their readers but known only to the manufacturing and successful Die Weißen Blätter will pass any area of life today without comment. You want to be not only an artistic expression of the new generation, but also their moral and political. " According to a review of Hermann Hesse from 1915 published in the journal, the "freshest, most tempestuous literary youth", the "literary future of Germany ". -->
== Writers ==
Writers of ''Die Weißen Blätter'' have included [[Henri Barbusse]], [[Gottfried Benn]], [[Eduard Bernstein]], [[Franz Blei]], [[Max Brod]], [[Martin Buber]], [[Theodor Däubler]], [[Albert Ehrenstein]], [[Carl Einstein]], [[Friedrich Wilhelm Foerster]], [[Leonhard Frank]], [[George Grosz]], [[Wilhelm Hausenstein]], [[Hermann Hesse]], [[Kurt Hiller]], [[Annette Kolb]], [[Paul Kornfeld (playwright)|Paul Kornfeld]], [[Else Lasker-Schüler]], [[Rudolf Leonhard]], [[Mechtilde Lichnowsky]], [[Heinrich Mann]], [[Gustav Meyrink]], [[Robert Musil]], [[Max Scheler]], [[Ernst Stadler]], [[Carl Sternheim]], [[André Suarès]], [[Ferdinand Bruckner|Theodor Tagger]], [[Robert Walser (writer)|Robert Walser]], [[Ernst Weiß]], [[Felix Weltsch]], and [[Franz Werfel]].
The magazine published as first prints Meyrink's novel ''[[The Golem (novel)|Der Golem]]'' in 1913/14 and in October 1915 [[Franz Kafka|Kafka]]'s story "Die Verwandlung" ([[The Metamorphosis]]).
== Literature ==
* Sven Arnold: ''Das Spektrum des literarischen Expressionismus in den Zeitschriften „Der Sturm“ und „Die Weissen Blätter“''. Peter Lang, Frankfurt am Main 1998, ISBN 3-631-33549-0.
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