Summary:
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"'''Mood Indigo'''" ([[1930 in music|1930]]) & ([[1955 in music|1955]]) is a [[jazz]] composition and [[song]], with music by [[Duke Ellington]] and [[Barney Bigard]] with lyrics by [[Irving Mills]].
==Composition==
The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues." It was "the first tune I ever wrote specially for microphone transmission," Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo," it became a [[jazz standard]].
While Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, in a 1987 interview, lyricist [[Mitchell Parish]] claimed that he had written the lyrics.
==Sound==
The main theme was provided by Bigard, who learned it in [[New Orleans, Louisiana]] from his [[clarinet]] teacher [[Lorenzo Tio]], who called it a "Mexican Blues". Ellington's distinctive arrangement was first recorded by his band for [[Brunswick Records]] (Cat No. 01068) on 17 October 1930. It was recorded twice more in 1930. These recordings featured [[Arthur Whetsol]] (trumpet), [[Joe Nanton]] (trombone), Barney Bigard (clarinet), [[Duke Ellington]] (piano), [[Fred Guy]] (banjo), [[Wellman Braud]] (bass), [[Sonny Greer]] (drums). An unusual thing about this piece was the way that the Duke blended the muted trumpet, muted trombone and clarinet, to give a unified sound.
==Rearrangement==
What makes the original recording(s) so interesting is the fact that Ellington has taken the traditional front-line of trumpet, trombone and clarinet, and turned them "upside down." At the time of these first three recordings in 1930, the usual voicing of the horns would be clarinet at the top (highest pitch), trumpet in the middle, and the trombone at the bottom (lowest pitch). In "Mood Indigo," Ellington voices the trombone right at the top of the instrument's register, and the clarinet at the very lowest. This was unheard of at the time, and also created (in the studio) a so-called "mike-tone"—an effect generated by the [[overtone]]s of the clarinet and trombone (which was tightly muted as well). The "mike-tone" gives the audio-illusion of the presence of a fourth "voice," or instrument.
Ellington was to re-employ this effect in "[[(In My) Solitude]]" (1932), "Dusk" (1940) and many other pieces throughout his career. The Ellington band performed and recorded the song continuously throughout its 50 years under Duke, both in its original form and as a vehicle for individual soloists. It remains a staple of the [[Duke Ellington Orchestra]].
==Performance==
"Mood Indigo" is performed both as an instrumental and as a vocal. It has been recorded by a countless number of artists, ranging from [[Charles Mingus]] to [[Paul Robeson]], [[Ella Fitzgerald]], [[Dinah Washington]], [[Nina Simone]], [[Joe Sample]], [[Nat Cole|Nat "King" Cole]], [[Frank Sinatra]], [[Louie Armstrong]], [[Earl Grant]], [[Joe Jackson (musician)|Joe Jackson]], [[Yukihiro Takahashi]], [[The Georgetown Chimes]], and [[Kelly Hogan]].
Paul Robeson, bass with orchestra recorded it in London on October 18, 1937. It was released by [[EMI]] on the [[His Master's Voice]] label as catalogue number B 8664.
==Film scores==
"Mood Indigo" is featured in the films ''[[Paris Blues]]'' (1961), ''[[The Untouchables (film)|The Untouchables]]'' (1987) and ''[[The Legend of Bagger Vance]]'' (2000), and in the [[miniseries]] ''[[Mildred Pierce (TV miniseries)|Mildred Pierce]]'' (2011). It is also the closing music for the film ''[[The Cotton Club (film)|The Cotton Club]]'' (1984).
==See also==
*[[List of 1930s jazz standards]]
{{GFDL}}
"'''Mood Indigo'''" ([[1930 in music|1930]]) & ([[1955 in music|1955]]) is a [[jazz]] composition and [[song]], with music by [[Duke Ellington]] and [[Barney Bigard]] with lyrics by [[Irving Mills]].
==Composition==
The tune was composed for a radio broadcast in October 1930 and was originally titled "Dreamy Blues." It was "the first tune I ever wrote specially for microphone transmission," Ellington recalled. "The next day wads of mail came in raving about the new tune, so Irving Mills put a lyric to it." Renamed "Mood Indigo," it became a [[jazz standard]].
While Irving Mills—Jack Mills's brother and publishing partner—took credit for the lyrics, in a 1987 interview, lyricist [[Mitchell Parish]] claimed that he had written the lyrics.
==Sound==
The main theme was provided by Bigard, who learned it in [[New Orleans, Louisiana]] from his [[clarinet]] teacher [[Lorenzo Tio]], who called it a "Mexican Blues". Ellington's distinctive arrangement was first recorded by his band for [[Brunswick Records]] (Cat No. 01068) on 17 October 1930. It was recorded twice more in 1930. These recordings featured [[Arthur Whetsol]] (trumpet), [[Joe Nanton]] (trombone), Barney Bigard (clarinet), [[Duke Ellington]] (piano), [[Fred Guy]] (banjo), [[Wellman Braud]] (bass), [[Sonny Greer]] (drums). An unusual thing about this piece was the way that the Duke blended the muted trumpet, muted trombone and clarinet, to give a unified sound.
==Rearrangement==
What makes the original recording(s) so interesting is the fact that Ellington has taken the traditional front-line of trumpet, trombone and clarinet, and turned them "upside down." At the time of these first three recordings in 1930, the usual voicing of the horns would be clarinet at the top (highest pitch), trumpet in the middle, and the trombone at the bottom (lowest pitch). In "Mood Indigo," Ellington voices the trombone right at the top of the instrument's register, and the clarinet at the very lowest. This was unheard of at the time, and also created (in the studio) a so-called "mike-tone"—an effect generated by the [[overtone]]s of the clarinet and trombone (which was tightly muted as well). The "mike-tone" gives the audio-illusion of the presence of a fourth "voice," or instrument.
Ellington was to re-employ this effect in "[[(In My) Solitude]]" (1932), "Dusk" (1940) and many other pieces throughout his career. The Ellington band performed and recorded the song continuously throughout its 50 years under Duke, both in its original form and as a vehicle for individual soloists. It remains a staple of the [[Duke Ellington Orchestra]].
==Performance==
"Mood Indigo" is performed both as an instrumental and as a vocal. It has been recorded by a countless number of artists, ranging from [[Charles Mingus]] to [[Paul Robeson]], [[Ella Fitzgerald]], [[Dinah Washington]], [[Nina Simone]], [[Joe Sample]], [[Nat Cole|Nat "King" Cole]], [[Frank Sinatra]], [[Louie Armstrong]], [[Earl Grant]], [[Joe Jackson (musician)|Joe Jackson]], [[Yukihiro Takahashi]], [[The Georgetown Chimes]], and [[Kelly Hogan]].
Paul Robeson, bass with orchestra recorded it in London on October 18, 1937. It was released by [[EMI]] on the [[His Master's Voice]] label as catalogue number B 8664.
==Film scores==
"Mood Indigo" is featured in the films ''[[Paris Blues]]'' (1961), ''[[The Untouchables (film)|The Untouchables]]'' (1987) and ''[[The Legend of Bagger Vance]]'' (2000), and in the [[miniseries]] ''[[Mildred Pierce (TV miniseries)|Mildred Pierce]]'' (2011). It is also the closing music for the film ''[[The Cotton Club (film)|The Cotton Club]]'' (1984).
==See also==
*[[List of 1930s jazz standards]]
{{GFDL}}